
Directors from outside Mumbai will fix Hindi cinema: Deverakonda
In a recent interview, Telugu actor Vijay Deverakonda shared his thoughts on the current state of Hindi cinema, stating that directors from outside Mumbai will be the ones to “fix” the decline in the industry. According to Deverakonda, these new storytellers will come from the heartland of India and other sections of Hindi-speaking areas, bringing a fresh perspective to the industry.
Deverakonda’s comments come as a response to the current struggles faced by Hindi cinema. The industry has been witnessing a decline in the number of blockbuster hits, and many have been left wondering what could be the reason behind this trend. Deverakonda, who has himself had a successful career in the Telugu film industry, believes that the solution lies in bringing in new blood and fresh talent from outside Mumbai.
The Telugu actor, who has gained a massive following in India and globally, pointed out that the South film industry is currently having a “dream run”. He recalled a time when the Indian audience knew very little about the South film industry, but now, it’s a different story. Deverakonda believes that this success can be attributed to the hard work and dedication of the Telugu film industry, which fought for recognition and proved its mettle through its unique storytelling and cinematic style.
Deverakonda’s comments also come as a response to the recent box office failure of several Hindi films. The actor believes that if a film like Baahubali had flopped, it would have ended the careers of many in the industry. However, the film’s massive success not only proved the potential of the South film industry but also opened up new avenues for collaboration and exchange of ideas between the Hindi and South film industries.
The Telugu actor’s prediction that directors from outside Mumbai will fix Hindi cinema is not without merit. In recent years, there have been several films from outside the Hindi belt that have gained massive success and critical acclaim. Films like Andhadhun, Stree, and Badhaai Ho, which were produced outside of Mumbai, have not only done well at the box office but have also received widespread critical acclaim.
Moreover, the rise of streaming platforms has also opened up new opportunities for filmmakers from outside Mumbai to showcase their work to a global audience. Platforms like Netflix and Amazon Prime have been investing heavily in regional content, and many films from outside the Hindi belt have been made available to a global audience.
Deverakonda’s comments also highlight the need for the Hindi film industry to look beyond the confines of Mumbai and explore new talent and stories from other parts of the country. The industry has long been dominated by a select few, and there is a need for fresh perspectives and new voices to be given a platform.
In conclusion, Deverakonda’s prediction that directors from outside Mumbai will fix Hindi cinema is a welcome one. It highlights the need for the industry to look beyond its traditional boundaries and explore new talent and stories from other parts of the country. With the rise of streaming platforms and the success of films from outside the Hindi belt, the stage is set for a new wave of filmmakers to take center stage and revive Hindi cinema.